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Cast: Aamir Khan, Abhishek Bachchan, Uday Chopra, Katrina Kaif, Jackie Shroff, Tabrett Bethell, Andrew Bicknell, Siddharth Nigam, Vikas Srivastav
Banner: Yash Raj Films
Director: Vijay Krishna Acharya
Producer: Aditya Chopra
Camera: Sudeep Chatterjee
Story: Vijay Krishna Acharya, Aditya Chopra
Screenplay: Vijay Krishna Acharya
Dialogue: Vijay Krishna Acharya
Lyrics: Sameer, Amitabh Bhattacharya, Kausar Munir, Vijay Krishna Acharya
Music: Pritam Chakraborty, Julius Packiam
Like all the other ‘Dhoom’ movies, be prepared for a charismatic villain, the same police duo, a twirling babe and bikes!
‘Dhoom 3’ has managed the tag of one of the costliest Indian movies which is evident from the sets, the stunts, the dance sequences and ensembles and the cinematography. Director Vijay Krishna Acharya has managed to elicit brilliant performances from all the actors and introduce twists, most of which did manage to surprise us. The suave villain, played by Aamir Khan who has a personal vendetta against the leading bank in Chicago has been well portrayed with his character having a massive twist. Abhishek Bachchan and Uday Chopra, the ‘Dhoom’ police duo who have been called upon to solve the case have performed well and have in consistent with their character sketch. The movie, third in the ‘Dhoom’ instalments is different from the rest of the movies owing to the thief’s tryst for vengeance being the theme unlike the other movies where the thieves simply lusted for wealth.
The movie is a visual treat with its scenes and action sequences. But it falls short of a solid storyline. We fail to understand how Jackie Shroff, a struggling magician manages to build a huge circus which looks like the State Library. And when he defaults on his loan, instead of taking his own life, he could have easily put it on lease and moved to a place more reasonable. After all, circus performers live by the motto, ‘the show must go on’. Moreover, we fail to realize how Aamir Khan, playing his son is well to do with a grand circus and where the money came from, judging by the fact, he distributes the money from the bank like leave in an autumn breeze. How he breaks into Chicago’s leading bank’s top security bank vault so easily while the local police stand and watch like Thanksgiving turkey poults leaves the audience wondering, instead of impressed. Katrina is a side dish well garnished.
With much better technology, it is interesting that Chicago police require the help of Gamdevi Police Chowky rulers – Jai Dikshit and Ali, from India, all because the thief has a penchant for hindi – welding ‘teri aisi ki taisi’ on the vault door. The thief sure has a lot of time on his hands.
The dialogues are mostly unimpressionable but what the dialogue lacks is made up for with Aamir’s acting and movie stunts. In short, Dhoom 3 is a one-time watch.
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